One credit works for everything: a rendered take, a scene Claude writes, a queue skip. Bigger commitment, cheaper credit. Writing your own prompts and building scenes from templates costs nothing at all.
Founding wave: the first 500 seats get 2,500 credits on day one and their rate locked for twelve months from the day they start, on any plan including pay as you go.
Credits per second depend on the engine and the resolution. Dollars per credit depend on your plan. Multiply, and that is the whole bill.
MiniMax H3 bills a minimum of five seconds. Reference-to-video on H3 includes five reference images; each one beyond that is 450 credits. Wan reference-to-video counts the input clip's seconds (up to five) on top of the output. Prime is the same picture on faster capacity: a queue skip, not a quality tier.
Click a cell and the template writes a full scene with all seven locks for nothing. Paste your own prompt for nothing. When you want Claude to write or sharpen a scene in the style's voice, each action is a fixed number of credits, charged before it runs, never by the token.
Writers' room runs Claude Sonnet 5. Head writer runs Claude Opus 5 and adds a punch-up pass to every script: sharper buttons, tighter callbacks. A whole writers' room episode pass, bible plus script plus two take prompts, is 350 credits, about eight percent of a single 30-second render. Freshness rewrites, when a draft repeats something you already made on that cell, are included.
Monthly credits reset at renewal. Pack credits sit in a separate balance that never expires and is spent last. Subscribers buy packs at their plan's rate plus ten percent; without a plan, packs are the pay-as-you-go rate. Bigger packs step down a little.